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To that end, calling it a “cause” might be inaccurate, as Maryam isn’t much concerned about the societal implications of her campaign she really just wants to pave that street and make life better for everyone, and she’s massively frustrated that men refuse to see the obvious through the veil of their own misogyny. Smart and stubborn, Maryam doesn’t see much humor in her situation, and Al-Mansour’s sedate direction reflects the matter-of-factness of her protagonist’s cause. “The Perfect Candidate” has all the makings of a boisterous comedy, but Al-Mansour - even with the benefit of a high-concept premise - prefers to keep things at a low boil. Maryam may be allowed to drive a car - she takes a quietly moving degree of pride in her blue sedan, its pristine seats all coated in plastic - but it’s still her “fault” when an injured grandpa would rather die than make eye contact with a female surgeon. Some desperate people can’t even make it to the emergency room doors, and several of the men who manage to slog their way inside refuse to be treated by a woman. For Maryam (Mila Al-Zahrani), a small-town doctor who simply wants to be of service to her patients, that problem is epitomized by one street in particular: the flooded road that leads to her mudbound hospital. “The Perfect Candidate” portrays contemporary Saudi Arabia as a place where laws change faster than hearts a place where progress makes its way to the media a long time before it trickles down to the streets.
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'Am I OK?' Review: Dakota Johnson Charms Her Way Through a New Kind of Sex ComedyĮmmy Predictions: Best Actress in a Comedy Series - The Smart Money's on SmartĮmmy Predictions: Best Actor in a Drama Series - One More for Porter, or a First for O'Connor? '2nd Chance' Review: A Jaw-Dropping but Unfocused Doc About the Man Who Shot Himself 192 Times
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“The Perfect Candidate” can feel sedate and disjointed as a broad portrait of empowerment, but this is nothing if not a movie of its time, and it sings - sometimes literally - whenever it hones in on the unique struggle through which Saudi Arabian women might seize upon this historic moment. Told with a light comic touch that’s weighed down by the film’s leaden sense of drama, Al-Mansour’s new film offers a frequently compelling glimpse of how workaday people are negotiating such radical systemic change. But Saudi Arabia - as you may have read in other, less flattering headlines - also has a tendency to take some violent detours along the winding path towards progress. Women have now been granted the right to vote domestic violence has been recognized as a crime they’re building a Six Flags. Saudi Arabia - as you may have read in the headlines - is making well-publicized strides to join the 21st century. Al-Mansour’s “ The Perfect Candidate,” which tells the story of a twentysomething Muslim woman who campaigns to win a seat on her town’s municipal council, often feels like a lucid mirror image of the director’s 2012 breakthrough: it follows someone trying to sustain the essence of her identity in a country that’s aggressively coming-of-age. Haifaa Al-Mansour’s “Wadjda,” the first movie ever filmed entirely within the Kingdom of Saudi Arabia, told the story of a young Muslim girl who bristled against the restrictive gender norms of her ancient local custom and dreamed of owning a bicycle it followed someone coming-of-age in a country that seemed aggressively resistant to change.